Podcast Episode 26. Paul Kitchen | Live from the InSync Asylum

New Music Update. Episode 26 of Live from the InSync Asylum!

Welcome to Episode 26 of my podcast.  Let me take you on a tour of over 40 years of words and music, Live from the InSync Asylum. Featuring rare and unreleased music as well as live performances. This episode features tracks from Trip Note: 1978-2018 Vol. 1, Potshots From Over the Hill, the new album Black & Grey, Blue Tattoo and Magic Moon, plus and an unreleased song from the Black & Grey sessions. Check it out.

If you like this Podcast, please share it on your social media – and any feedback is welcome!

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Paul Kitchen | Black & Grey Out Today

I love this album, and am excited to share it with you.  Black & Grey | Live From the inSync Asylum Vol. 2 is unlike anything I’ve ever released. I revisited 10 songs written over the length of my career that are of a mood, and recorded them live in a stripped down setting. I wanted a laid back record, and I think I got one. All of the songs were recorded sans headphones, with no monitoring of the live vocal and guitar – just letting it bleed as Elvis would say.  That in itself contributed to the mood, as what I was hearing from the studio monitors could not drown out the guitars. Thanks to the many wonderful audio tools at my disposal, I was able to rein the recording in, and the finished product sustains the mood from start to finish and doesn’t sound half bad.  I hope you check it out, and please let me know if you enjoy it!

Click here to Stream/Download Black & Grey

if you’d like to watch the recording of the individual tracks, you can find them in the video section of my site.

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Paul Kitchen | It Can Happen to You | Live From the inSync Asylum

Paul Kitchen | It Can Happen to You Live From the inSync Asylum. The 29th date on my ‘No Rhyme or Reason Tour’. I chose to do It Can Happen to You, originally from the1982 collection of songs ‘Silent Tears’, and to-date unreleased. Pretty cool doing a song 40 years later. Like many older songs, I have no idea what was on my mind at the time. As on the other videos from this series, I did the take sans headphones or monitoring the guitar, which contributes to the stripped down mood. If you like it please share, and check out the studio versions on my website. https://bit.ly/3KXIt7s

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Paul Kitchen | Middle of Nowhere | Live From the inSync Asylum Video

Paul Kitchen | Middle of Nowhere Live From the inSync Asylum. The 28th date on my ‘No Rhyme or Reason Tour’. I chose to do Middle of Nowhere, originally from the 2015 album ‘Living with Fiction’ – one of my favorite albums! As on the other videos from this series, I did the take sans headphones or monitoring the guitar, which contributes to the stripped down mood. If you like it please share, and check out the studio versions on my website. https://bit.ly/3KrnARL

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Paul Kitchen | When I Fall Apart | Live From the inSync Asylum Video

Paul Kitchen | When I Fall Apart Live From the inSync Asylum. The 27th date on my ‘No Rhyme or Reason Tour’. I chose to do When I Fall Apart, originally from the 1987 album ‘No Poetry Allowed’, and later from ‘A Matter of Time’ – the guy in the video has the year wrong!. The song was written under the influence, and that’s all I’m going to say – but it’s a cool song, and one of those you have no idea where it came from. As on the other videos from this series, I did the take sans headphones or monitoring the guitar, which contributes to the stripped down mood. If you like it please share, and check out the studio versions on my website.

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Paul Kitchen | You’re Still My Baby Tonight | Live From the inSync Asylum Video

Paul Kitchen | You’re Still My Baby Tonight Live From the inSync Asylum. The 26th date on my ‘No Rhyme or Reason Tour’. I chose to do You’re Still My Baby Tonight, originally from the 1993 album ‘And We Dream’, and later from ‘A Matter of Time’. Written during the the first gulf war, desert storm. It’s a tough song to sing for me, and one of the more emotional songs I’ve written. As on the other videos from this series, I did the take sans headphones or monitoring the guitar, which contributes to the stripped down mood. If you like it please share, and check out the studio versions on my website.

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