Episode 3. Paul Kitchen | Live from the InSync Asylum

Episode Three. Paul Kitchen | Live from the InSync Asylum.

Paul Kitchen takes you on a tour of 40 years of words and music, from the InSync Asylum. Featuring rare and unreleased music as well as live performances. This week Paul will teach you how to multi-track with cassette decks, as well as sharing unreleased tracks from 1978, 1998 and 2008.

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Episode 2. Paul Kitchen | Live from the InSync Asylum

Episode Two. Paul Kitchen | Live from the InSync Asylum. 

Paul Kitchen takes you on a tour of 40 years of words and music, from the InSync Asylum. Featuring rare and unreleased music as well as live performances. This week Paul shares unreleased tracks from the albums ‘In a Blue Night’ and ‘No Poetry Allowed’. Plus a live solo acoustic performance!

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Purple Rain Single Released

Paul Kitchen | Purple Rain

I put this out for the first time the day after Prince passed, two years ago. After his estate had it removed from a couple streaming outlets, I took it down. Today I put it back up – let’s see if it sticks this time… Recorded a little short of 34 years ago in late 1984, on half-inch 8 track tape. I’d love to take that Oberheim DX drum machine out, but its in there. I guess it’s a vintage sound now. Only five minute guitar solo I’ve ever put on tape…Started to remix it recently, but decided to leave it alone.

Digital Downloads

iTuneshttps://goo.gl/EBzWjb

Amazon:  https://amzn.to/2qwCD4x

Google Play:  https://goo.gl/Vit45t

Bandcamp:  https://goo.gl/Muy96f

Spotify:  https://goo.gl/C9UtBB

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New Album ‘Blue Tattoo’ Available Now

I’m excited. This project took nearly three and half years to complete, but Blue Tattoo is done and available to download and stream today. On a Blue Moon to boot. I know what went into this album. To me it’s a dark beauty…. Please let me know what you think about it.

Also check out The Making of Blue Tattoo on my website.

All the best,
Paul

Digital Downloads

iTunes: https://goo.gl/ZAHRrs

Amazon: https://amzn.to/2Gqfg7C

Google Play: https://goo.gl/WeLXyF

Bandcamp: https://goo.gl/UAekBi

Spotify: https://goo.gl/GgLFCR

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The Making of Blue Tattoo

After a nearly 13 year hiatus, I got a lot of songs and ideas recorded in 2013-2015.  This resulted in Living with Fiction, my first collection of new songs in 22 years which was released on my 58th birthday. During that same period, I was also dealing with a nasty little thing some might call a mid-life crisis. Some of this turmoil was reflected in the album, which was very personal in spots, and even made me a bit squeamish.  Because of this, I was very slow to share much of it with folks, until I could get comfortable with it myself.  In retrospect I think it was pretty good, and absolutely something I needed to get out of my head.

I followed Living with Fiction with Wheelhouse in 2016, a collection of covers prompted by David Bowie’s passing.  It was a quick and easy project, and I did not have to think too much. The first track I recorded was Everyone Says ‘Hi’, which quickly became my most streamed track of all-time.  I took my time starting a new album after that. Though I had a couple leftover tracks from Living with Fiction that I knew I wanted to release, I didn’t have any new songs. Apart from Wheelhouse, 2016 was pretty dry in that department.

Almost as a rule, everything you hear and see with my music is done by me.  Most recently, I’ve gotten into a workflow that enables me to get a basic track idea down quickly. When working on something new, I often want to hear some vocals over the music. So I’ll record a quick improvised guide vocal track.  Some of the words you choose during this process are quite curious.  As I got deeper into the recording, the one thing I didn’t seem to want to do, and ultimately saved for last, was to write and finish the lyrics.  Funny thing was, after listening to all that subconscious gibberish, I found the path to the lyrics.  And a lot of what began as gibberish remains on the final cut of Blue Tattoo.  Please don’t tell anyone.

When I started working on the tracks that would become Blue Tattoo, I sensed an even darker tone than that of Living with Fiction.  Once again it was something I had to get comfortable with, as it appeared I was intent on plumbing the depths. It is very much a work of my subconscious I guess.  It’s darker and more relentless than Living with Fiction; pounding it’s favorite subjects: getting older, fear, loss, and death.  But to me, it’s a dark beauty. I am very proud of it, but it surprises me. I certainly wonder where it came from. I had lighter fare to include, but removed it, just to preserve the mood.  I view the 10 tracks on Blue Tattoo as a whole. Hopefully there is something that will resonate in there for those who take the time to listen (But please listen to it on some good equipment!). The only real currency in this for me at this point is having my music heard.  I’ve had some pretty good feedback so far, but would love to hear what you think.  Also, if you do like it, please share it….

Paul Kitchen

3/31/18

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